I finally got around to reading Good Omens by Terry Pratchett and Neil Gaiman, and of course I loved it. There’s plenty more I’d like to draw but goodness, there are too many great characters in this book.
I finally got around to reading Good Omens by Terry Pratchett and Neil Gaiman, and of course I loved it. There’s plenty more I’d like to draw but goodness, there are too many great characters in this book.
fuCK
2nd image, my new desktop, not even foolin
Catwoman: When In Rome #1 by Tim Sale
“I’m Castor, your host. Provider of any and all entertainments, and diversions.”
Still the best live-action Riddler we’ll ever see.
Holy shit I remember this ad. What the fuck even was this game?
Spacegirl, by Travis Charest
Academic studies of gender and horror cinema such as Carol J. Clover’s 1992 book Men, Women, and Chain Saws and female-fronted films changed the landscape of the genre, proving women could terrify audiences just like men, and that women were watching — but also craving stories they could relate to. The popularity of horror heroines like Ripley in Ridley Scott’s Alien proves the need for women who aren’t simply victims. But there’s room for all types of narratives and characters for, about, and by women — including the Freddies, Jasons, and Michael Myers of the world…
Female horror directors do exist! For real, you guys!